2296

Delphin Massier (1836-1907), glazed ceramic umbrella stand, ca 1900

The umbrella stand is illustrated in the seller's 1908 catalogue, edited one year after Delphin Massier's death and reproducing the models that made his reputation.
Illustrated in: 'Massier, L'introduction de la céramique artistique sur la Côte d'Azur', exhibition catalogue Musée Magnelli, Musée de la Céramique, Vallauris, 2000, p. 151, ref. 1110.

The shapes of this glazed earthenware umbrella stand play with light across the pink, beige, and blue enamel covering the piece: not a single flat surface, but curves, hollows, and protrusions, all creating movement in the light. The creation of this object seems to be a true feat: resting on a base, it rises upward, offering both openwork and solid sections to the eye. In the upper part, a man's face emerges. Through its colour and forms, the object appears to evoke the natural element, which was very much in vogue in Delphin Massier's works.

Delphin Massier belonged to a dynasty of potters established in Vallauris. This family introduced true art ceramics into the town. His grandfather, Pierre Massier (1707–1748), known as a "master potter of earthenware," was the first of this line of ceramists.

In its early days, the Massier workshop focused on producing utilitarian pieces for a local clientele. But quickly, the Massiers sought to innovate by creating artistic ceramics. This new production began in 1859, with the arrival in Jacques Massier's workshop (Delphin's father) of an Italian from Bologna, Gandolfi Gaetano.

Various written sources agree on the decisive role of this Italian in the evolution of the workshop and in the artistic training of Delphin and his brother Clément. He introduced them to enamel-making, plaster mold techniques allowing small series production, and the creation of the first vases inspired by Neoclassicism.

Gandolfi Gaetano was also behind the introduction of a new decorative technique—glazed earthenware—thus giving rise to a new type of production that would be sustainably developed, as illustrated by the umbrella stand presented here.

From then on, the Massier factory gained increasing importance and distinguished itself from local production by creating original models. Gradually, they moved toward exclusively artistic ceramics. Although the various businesses of Delphin, Clément, and their cousin Jérôme did not match the scale of the large industrial earthenware factories of the 19th century, they nevertheless stood out as a family workshop with an artisanal vocation.

They employed a relatively large workforce—Delphin alone had 93 employees in 1897. They also created a genuine commercial network, previously nonexistent in the region. As a result, their works were primarily distributed through sales catalogs, which have enabled the attribution of this umbrella stand.
70 cm. (27.55 in.)

  • Condition: Please note that the absence of a condition report does not imply that an item is flawless. Condition reports are provided as a courtesy, based on our specialists' opinion and are not exhaustive. We strongly encourage buyers to thoroughly examine items either personally or through a qualified expert. While we strive for accuracy, we assume no responsibility for errors or omissions in these reports.

Accepted Forms of Payment:

American Express, MasterCard, Other, Visa, Wire Transfer

Shipping

To ensure appropriate transport for the artworks in our sale, all shipping will be handled by 3rd party shippers. For a shipping quote please contact a transport company.

You can find more information and a list of recommended options on our website: https://www.carlobonte.be/shipping/

Carlo Bonte Auctions

You agree to pay a buyer's premium of 29% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
€0 €199 €10
€200 €299 €20
€300 €499 €25
€500 €999 €50
€1,000 €1,999 €100
€2,000 €4,999 €200
€5,000 €9,999 €500
€10,000 €19,999 €1,000
€20,000 €49,999 €2,000
€50,000 + €5,000