27

Jan Havikzn. Steen (1625-1679), 'A merry party in the open air', oil on canvas

As described in the Catalogue Raisonné by Dr C. Hofstede de Groot:


'In the centre, a young man in black plays the fiddle and looks at an old man, with a large basket on his back and an iron-handled stick under his arm, who sings from a music book which he holds in his left hand. A girl with a bowl sits on the ground near him; beside her is a black poodle. Opposite the old man are two boys: one leans on a pail and listens with an open mouth; the other, with folded arms, looks at the singer. On the ground is seated a woman with a child in her arms. To the left is a house surrounded by small trees; to the right is a vista. This is one of the finest works of the artist. The humour and expression are admirable. The warm evening light is rendered with sound technical skill.




Literature:


Part of the Catalogue Raisonné by Dr. C. Hofstede de Groot, Vol I, 1908, No. 439.
Archief Rijksbureau Kunsthistorische Docuemntatie 's-Gravenhage, 'Kunsthistorische mededelingen', jaargang 3 (1948), p. 51 - 56 with an image of the work.
R.K.D. Den Haag, Map 560, Jan Staan 28, with an image.
Described by Dr Waagen suppl. 428 Collection of Thomas Staniforth in Storrs in 1857.




Provenance:


John Rolton, Storrs Hall, Windermere.
The Reverend Thomas Staniforth, by bequest (original back label referring to this collection recuperated).
Annabella Lady Boughey, by inheritance.
W.A.L. Fletcher, Sundorne Castle Shrewsbury, by bequest (Christie's, 15-5-1914, lot 134).
Hans Mettler collection, St. Gallen (Swiss).
Auction Christie's London, 29-6-1979, lot 13.
Collection Tiefland S.A. Zurich.
Belgian Private collection.



Exhibition:


Exhibited at Manchester, 1857, N° 933.
Art Treasures 1857 J.C. Grundy N° 2 (original back label to the back of the stretcher).
Exhibition Saint Peter's Abbey, Ghent.
107 x 153 cm. (42.1 x 60.2 in.), Frame: 122 x 168 cm. (48.0 x 66.1 in.)

  • Condition: - the back with a Swiss and a French customs stamp
    - relined and restored
    - overcleaned and overpainted. Needs a proper and professional revision of the earlier restorations and overpaint. The Catalogue Raissoné of 1908 mentions, 'The picture is excellently preserved, but in the meanwhile a very drastic and impermissible intervention has occurred

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